If  you were a ten-year-old boy in 1970 Brazil,  you had one thing on your judgment: The  
Brazilian  football association football team acting in the World  Cup.  But  for young Mauro  (Michel  
Joelsas),  his exhilaration for Pel�  is overshadowed by his parents' departure.
In  that historic year, the Brazilian  population wasn't just united by one the greatest 
soccer teams ever assembled. It  was likewise dealing with increasingly belligerent activity 
by a absolutism eager to arrest whatsoever non-conformists. So  while Mauro  collects nat
ional squad trading cards and plays out matches with his tabletop soccer game, his 
parents
